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Joan Bohn -artist statement
My paintings describe a
sense of the ever-evolving processes that make up life. They develop
gradually as they are constructed and de-constructed many times
over. Digging back into a painting presents the risk of losing what
may be already good in hopes of discovering something better. It is
discovering beauty through loss and the realization that what is
removed is as compelling as that which remains.
Joan Bohn is an
extraordinarily devoted artist with a sense of style, presentation,
and color few artists achieve. Her ongoing series: The Four Seasons,
Portals, and Journeys, are a reflection of her very personal view of
life. Her paintings are in private and corporate collections
worldwide. Joan lives in Houston and maintains a studio in an
industrial section of the city. She thrives on the energy of this
urban environment, and yet, longs for the peace and tranquility she
finds during summer visits to the mountains: only to become restless
once again for the city. For her it is about balance - in nature as
in life. Her philosophy can be summarized by the following: “I
live in a city surrounded by tall buildings, commercial development,
and all the hustle and bustle that defines “urban”.
Within this chaos I strive to
find balance, and a sense of place that is derived from the
stimulation of the city, redefined, and put to rest in my paintings.
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“These images
communicate the feeling of a journey, of the
pauses, upheavals and revelations that accompany
life’s passages.” - Dottie Indyke, Albuquerque
Journal
“In addition to an appreciation for the textures
in Bohn’s work, the viewer gets a sense that her
vertically oriented panels, with horizontal
bands, represent windows with a view of strange,
vague landscapes.” Annabelle Massey Helber, The
Dallas Observer
“…The result is work that is engaging in design
and uses color masterfully. Bohn’s pieces are
intimate, and even if viewed from a crowd, they
seem to speak to a single viewer directly.” –
Curtis Howell, -Focus Santa Fe
“Studying every inch of Bohn’s carefully layered
surfaces offered oblique references to beauty as
loss, yes, but also as a continual incarnation
of processes of art making that find rebirth
within the forces of time, light, life and even
dark despair.” – Diane Armitage, THE Magazine
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